![]() Related: The Batman Was Right To Cut Its Joker SceneĬhristopher Nolan performed a sharp tonal 180 with his Dark Knight trilogy, turning Batman's mythology into a brutally realistic vision completely devoid of comic book cartoonishness. He might view Nicholson's Joker as too frivolous, showy and socially-acceptable to have any real fun. Adopting a post-millennial mindset, The Batman's Joker is unkempt - and, more importantly, unconcerned by being so. The transformed Jack Napier was a snappy dresser, suave and sinister in equal measure, dancing merrily to Prince in public. Though undoubtedly more alike than 1966's Joker, Barry Keoghan and Jack Nicholson still cut drastically different outlines of their mutual role. Whereas 1989 Joker and Batman hated each other for deeply personal reasons (Jack Napier killed the Waynes Batman accidentally dropped him into the chemical vat), Pattinson and Keoghan's hero/villain relationship is presented as two lost souls finding each other - their paths destined to cross forever. Unlike the Cesar Romero incarnation, Jack Nicholson's Joker and Michael Keaton's Batman were true nemeses - another commonality with the villain's 2022 reinvention. For the latter, Joker's in-universe persona required nothing more than the right costume, but The Batman's version is physically scarred, with Matt Reeves confirming a congenital disease forces Joker into a constant smile. Subverting the notion of an ideologically motivated Joker, Romero's villain sought money and jewels like a conventional crook, but Robert Pattinson using Joker as his serial killer sounding board in The Batman alludes toward more depraved desires. like crime? In every other conceivable sense, Barry Keoghan's Joker couldn't be further removed from Romero in 1966. Both share white make-up and green hair coloring (what's left of it in The Batman's case), both possess an eccentric showman-like charm, and both, err. Naturally, that distinction applies to Barry Keoghan and Cesar Romero's respective Jokers too.Ĭommon ground exists in only the broadest possible strokes. 1960s Batman struck an infamously campy tone, light as one of Penguin's feathers and aimed squarely toward DC's youngest followers. ![]() If The Batman sits solemnly upon one edge of the superhero movie spectrum, 1966's Batman is so far down the opposite end even Flash would get exhausted running between them. How does The Batman's interpretation compare to all five in terms of his design, origin, and mannerisms? Related: The Batman: Joker’s Riddle Has A Secret 2nd Meaning That Changes EverythingĪs Keoghan himself has since acknowledged, he joins a long and illustrious line of big screen Bat-botherers, following in the footsteps of Cesar Romero, Jack Nicholson, Heath Ledger, Jared Leto and Joaquin Phoenix. The sequence - in which Pattinson's Batman seeks Joker's perspective on the Riddler case - not only gives close-up details of Keoghan's physical appearance in the iconic role, but also offers breadcrumbs as to his backstory and past with Batman. released a 5-minute deleted scene showing The Batman's new Joker in full. And to dispel any lingering clouds of uncertainty, Warner Bros. Though not referenced by name, the laugh and silhouette all but confirm this shadowy creep is Barry Keoghan's Joker. The Riddler (Paul Dano) is transferred to Arkham and barely has time to find a place for his toothbrush before a mysterious inmate begins making friendly overtures. In official terms, Keoghan's Joker debuts in The Batman's final scenes.
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